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Perricoota Vines Retreat Moama are THRILLED to confirm a very special appearance by Damian Cowell's Disco Machine Featuring Tony Martin on site at the retreat for Pop & Pour Festival 2018.
The 7 piece "dystopian disco" band will perform their live show "Get Yer Dag On" - described as "A Triumph" by The Guardian - during 2 sets at 2pm and 4pm at Perricoota Vines Echuca Moama Accommodation on the 24th November 2018. . ABOUT POP AND POUR FESTIVAL A progressive food, drink and tunes festival in the Perricoota Wine Region of Echuca Moama. Held annually on the last Saturday of November (Nov 24th 2018). Spend the afternoon moving from venue to venue using the Pop & Pour shuttles to indulge in an afternoon of our region’s best producers, live musicians and gastronomical delights. The Perricoota Vines event this year is partnered by Cornelia Creek Wines, Gusto Grazing Platters, Elephant Rock Street Food, Macrombie Macrame and will include an Island Bar with tropical drinks, toe dipping in the pool and lakes, frisbees, hoola hoops and a giant beach ball on the tennis court. More to be announced. EVENT DETAILS Damian Cowell's Disco Machine feat Tony Martin for the Pop and Pour Festival - Tropical party on the Vines Island at Perricoota Vines Retreat summer resort. - Wine tasting by Cornelia Creek Wines - Gusto Grazing Stall - Elephant Roc Street Food Van - Frisbees, hoola hoops, picnic rugs, crochet and toe dipping by the pool. - Shuttle buses to escort you to the other wine and food tasting venues on the Perricoota Rd Moama circuit. LOCATION: Perricoota Vines Retreat 400 Perricoota Rd Moama NSW 2731 SET TIMES 2pm and 4pm TICKETS: http://www.popandpour.com.au ONSITE ACCOMMODATION: www.perricootavines.com INTERVIEW : Damian Cowell on Pop and Everyday Pathogens NOTE: Be quick, the VIP tickets sold out in less than an hour - record time. But General Admission and Platinum Tickets are still available for those who want to participate in a meet and greet with Damian Cowell and Tony Martin and get front row, pool side viewing of the performance. . |
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